Nah, I’m Good

While I hear that generally he’s as popular as ever with the faithful, I’m relieved to hear that many of the people who voted for the current Chief Executive are “coming around” now that they are actually experiencing actual harm from his policies.

However, I find little motivation to “join with” or “welcome” them. Not out of spite or any desire for “revenge” (as I heard one progressive writer blithely put it).

Who am I to judge? I’ve got my own shortcomings to answer for.

Rather, I was never “in community” with these folks, especially the truly MAGA faithful, to begin with. Personally, I often find myself on the outside looking in no matter what space I find myself in. Beside the fact that I’m currently “living Black” in an overwhelmingly white, conservative community, I generally don’t trust the logic of crowds, I ask too many questions, and frankly, I live in my own head a lot. So I’m always a bit detached. Awkward really.

I have to be on guard against the temptation toward snobbery because of it. Awkwardness can often lead to elitism if left unattended.

Regardless, I feel no kinship with, or any desire for same, with any current or former supporters of the current Chief Executive. I certainly am willing to work in tandem with the like minded against a common threat and to support vulnerable communities (no matter the political bent).

But let’s leave it at that. Perhaps an unnecessary distinction but it’s one I require. And there is precedent: https://www.pbs.org/independentlens/documentaries/the-first-rainbow-coalition/

The Revolution Will Not Only Not Be Televised… It Will Never End

Black citizens know that American democracy is not a destination. Rather, it is a constant struggle. Point of fact, America has never been a democratic state. At our inception, women and non-landowning men could not vote and though slavery is never mentioned in the Constitution, it was provisioned for in the Three Fifth’s Compromise and the Second Amendment to name a couple of examples.

To paraphrase Sherrilyn Ifill, America only approached democracy in 1965 with the passage of the Voting Rights Act that finally provided government protection for the voting rights of Black citizens, less than 4 years after I was born. Unfortunately, the Roberts Court has all but unravelled it.

Wednesday night, my daughter and I watched a Livestream from the University of Michigan that featured Ta-Nehisi Coates and Dr. Angela Davis where Dr. Davis surprised everyone in attendance in stating that she was actually “optimistic” about America’s prospects. Sure we’re in grave danger. But historically speaking we are moving in the right direction. She likened it to the “3 steps forward, 2 back” analogy. We’re obviously in a “2 back” phase, but to her mind we are making progress, else the party in power would not be taking such extreme measures.

She also reminded everyone that we need to see ourselves from a historical perspective. That we are a part of history rather than living separate from it. I wrote down a quote without attribution and I cannot remember whether Coates or Dr. Davis actually said it but it struck me like a bolt of lightning:

“You are here because people who could not see you fought for you.”

I’m fond of saying that “I know where I am.” I cannot afford the delusions of traditional American propaganda or patriotism. But I also have to remember that the survival of my people is not an accident. That those who went before me had even less reason to believe that America would make a place for them, yet they fought for me.

I can do no less for those who I cannot see.

It’s Not “Fragility”, It’s Just Cruelty

On February 21st, 1862 Nathaniel Gordon became the only American slave trader to executed by the government for engaging in chattel slavery. He was unrepentant to the end. Declaring that he’d done nothing wrong which is what it is given where he was, and frankly, where we still are.

But this part right here, though:

“… saying he would rather die alone than suffer the humiliation of being publicly executed. He said he’d “suffered the agony of a dozen deaths.””

Look, I’m on record with my opposition to capital punishment, for any crime, without reservation. But he’s tied up in knots over his “humiliation”? Never once considering his personal responsibility for the misery he’d profited from?

It makes me think of the white parents who dither over the “embarrassment” their children might face over learning the history of chattel slavery, never once thinking of the legacy that Black children have to live with.

Some have labeled this “fragility.” Let’s call a thing a thing.

It’s just cruelty.

When you value your emotional comfort over the humanity of your fellow human beings, you have a serious problem.

“Early the morning before the execution, Gordon unsuccessfully attempted suicide with strychnine poison.[23] Three doctors worked four hours to keep him alive by pumping his stomach, catheterizing him, and force-feeding him brandy and whiskey. After regaining consciousness, he cried out “I’ve cheated you! I’ve cheated you!” Gordon then begged the doctors assist his suicide, saying he would rather die alone than suffer the humiliation of being publicly executed. He said he’d “suffered the agony of a dozen deaths.”[23][24][25] He was sufficiently revived to be fit enough for execution.”

Full entry here:

https://en.wikipedia.org/wiki/Nathaniel_Gordon

Compared To What…

When I was in college 100 years ago I learned that while there were objective measures of art, for instance, line, color usage, brush strokes, harmonic progression, etc, art is best judged on how effective it is rather than if “I like it” or even “get it.”

That effective art resonates. That it speaks to the layers of the human condition.

Furthermore, we bring our own perspectives to art and that our perspectives change over time. For example, when I was growing up, my dad wore the groove out of “Compared To What” by Les McCann & Ed Harris. It did not move me back then. Probably scared me a little. But now, with 6 decades behind me, it’s my “Hallelujah Chorus.”

What Lamar left us with Sunday night was art. There were layers upon layers.